Last week when I got all those knitting books from the library (which I have gone through twice now and marked pages to scan) I also got two books on dressmaking. One of them is from the 90s, a big, thick paperback that made me think there was no way I’d ever be able to design my own clothes or get beyond the simple alterations I’ve done on patterns. Granted, the book is a costume and dress design book that talks about the history of dress and the fine points to remember when making that elaborate Elizabethan era gown, but still. The book assumes a knowledge of design already and is geared toward period stage costuming, because if you want to make clothes they must be for the stage because who makes their own clothes these days?

Disappointed, I turned to the second book with no hope. That book, Pattern and Costume Designing was published in 1940 as a textbook by the Woman’s Institute of Domestic Arts & Sciences. I love this little book so much I am going to have to find a copy to call my own. I am hoping it isn’t a collectible and won’t be fearfully expensive.

What is so marvelous about this book is that it makes the whole clothing design business seem easy. All you have to do is start with a foundation pattern of a skirt and a blouse. The foundation pattern is as basic as you get. It doesn’t tell you how to create a foundation pattern, but that is fine, I believe I can find commercial patterns that I can use that will serve just as well. From the foundation pattern it walks you through how to create different skirts, straight, flared, full, you name it. Same for the blouse. It shows you how to change a basic collar into a myriad of other collars as well as how to alter the neckline.

The book also shows you how to put the skirt and top patterns together to design a dress from a basic everyday dress to an evening gown.

But that’s not all. The first half of the book is devoted to pattern making, the second half to design and planning. It’s the second half that most makes me want a copy of this book. It talks about hair, skin and eye color in relationship to choosing fabric color. It politely talks about the variety of women’s figures and puts them into neat categories and discusses dress lines and fit in relation to each (before a proper fit can be made, however, the woman must be wearing a properly fitted “corset and brassiere).

It also talks about the importance of a woman’s personality in choosing proper clothing:

A woman’s clothes should be planned not only to flatter her physique but to interpret and express her personality as well, for persons with the same general physical structure vary considerably in personality. For instance, one woman of average, or standard, figure may have a sweetly feminine and romantic personality, while another of similar figure may be very matter-of-fact or business-like. Also, most women have more or less complex natures and are affected by moods [emphasis mine]. At one time, a woman may feel vivacious, and again reposeful and quiet. The woman who is able to provide sufficient variety in frocks to dress to her moods as well as the occasion is a find for any designer. The more average type, however, keeps to the middle road in the garment itself and finds expression for variation in feeling in her accessories, a valuable suggestion for the designer to keep in mind.

I love that “most” women have “more or less” complex natures. That made me hoot when I read that. It is only because no one would dare write or believe something like that now that I can laugh and make fun. Of course, there are plenty of things when it comes to the current status of women that aren’t funny, but let’s put that aside to laugh at the 1940s.

As you can see, this gem of a book is both practical and potentially useful as well as entertaining. And a quick side search turns it up in a few places, the cheapest is $60. Ouch. Oh well, maybe someday when I have cash to splurge on something. Until then, there’s always the library!

Advertisement