I’ll be back tomorrow. In the meantime, enjoy this one and all its ironies because I bought a Kindle two years later. Originally published as Marginalia and E-Books on February 7, 2007.
Continuing on in my reading of Every Book Its Reader last night, Basbanes talks to Heather Jackson, or H.J. Jackson as she appears on her books. Jackson is an expert of sorts in marginalia, particularly the marginalia of Coleridge. However, she has a fantastic general book on the subject I read several years ago called, what else, Marginalia. So since she is an expert she and Basbanes are talking about how scholars are now quite interested in detailed marginalia by people who aren’t even famous because of what it reveals about the history of reading, not only what people read but how they read it and reacted to it.
Now, you know as well as I do there are three kinds of readers. There are those who write in their books with glee, those who think that if capital punishment is ever warranted it should be given out for the crime of writing in books, and those like me who have strange and unarticulated rules for when it is okay to write in a book and when it isn’t. If you fall into the first or last category, you have probably at one time or other found yourself writing a marginal note in which you tell the author just how dunderheaded she is and if she had only had your point of view the two of you would be getting along so much better about now. And maybe you marginalia-phobes have done this too but only thought it so there is no record of your passionate feelings unless you happened to write it down in a separate notebook and have a good indexing system like Emerson or Locke.
What I am getting at here in a round about way is, that when I write marginal notes I oftentimes feel like I am talking or communing or arguing with the author. I know the author can’t argue back nor does he have any idea of my thoughts, but the feeling is there. But then Basbanes and Jackson had to go and make me grumpy:
Although numerous people throughout history have asserted their ability to commune with books, Jackson told me she does not believe there is a genuine dialogue going on between author and reader, that if there is a conversation, it is one-sided.
Okay, I get that. I never believe I’m conversing with the author and I am well aware of the one-sided nature of the endeavor, but Jackson goes on:
“Erasmus talked about that concept in a letter. There’s a long tradition of people thinking about, and talking about, their books as friends and companions, and obviously they are ideal companions, because they don’t talk back. That’s my point. Sometimes readers imagine that they hear the voice of the author in the words of the book, and they do talk to it. But it always seems a little bit to me to be like heckling.”
Heckling? That hurts. And how can she say that readers imagine they hear the author’s voice? Isn’t voice a literary concept? It is not the author’s speaking voice, but there is definitely an authorial voice. I am a little disappointed and upset by all this and if this book was one that fell into my category of “books it’s okay to write in” I’d be scribbling some choice “heckles” in the margin. But this post will just have to fill in for my marginal heckles.
I’m about to take a small deter, but stay with me because it will lead back to marginalia, promise. In my local newspaper on Monday there was a review of the Sony Reader, you know the e-book reading device that costs $349. The reviewers were a baby boomer who wears reading glasses and a gen Y who has no need of such reading accessories. While they said there were some spiffy things about it like push-button type resizing and it can play music and show illustrations/images, the conclusion was that it’s not quite ready for prime time.
I am not in the least bit tempted or curious about the Sony Reader, I like my paper books thankyouverymuch. But I got to thinking, what would it take to tempt me to try one? Because you know, as much as we might dread and hate it, they will become popular someday. I decided what would get me to try an e-book reader is if it had a stylus and the book had “margins” that I could write in. The ability to take notes in the book and not harm the book or the text–even write and highlight in different colors–and then be able to download the notes to my computer and/or print them, that would tempt me. The reader price would also have to be under $200 and books would have to be significantly less than I could buy them in paper.
Have I just ruined my credentials as a reader by admitting that I would use an e-book if I could write marginalia in it? Think about it though, I bet you’d be tempted too even if it was only a teeny-tiny bit. Be honest!
Absolutely. When – and I think it is when, not if – I get an eBook reader the ability to make notes and the ease of doing so will be a major criterion. My marginilia is boring though – a lot of it is so I can find things later during discussion so I note plot points, style and language points and so on. Occasionally I will comment, but mostly it’s more like, I suppose, indexing!! My own personal index!
Full disclosure before the comment: I work for Barnes & Noble and I have a vested interest in the success of our Nook e-reader.
That being said . . .
One of my managers and I were talking about the e-reader a couple of days ago. I’m more or less on the bandwagon; he still had reservations, until he manned the Nook desk and talked about it with a customer who was already a Nook owner.
Her points were the following: [1] She loves her physical books and will never give them up. When she’s home, that’s what she reads. [2] But she travels a lot, and she hates hauling around several pounds of “will I have time to read it?” literature at least as much as she hates not having the books on hand when she wants them. [3] So she uses her e-reader to solve the travel problem.
Hearing this, I conceived of the Nook – any e-reader, actually – as being like a telephone with a direct line to your home library. If you’re missing a book, really wish you had it with you, well, then, hey! Just pick up the “phone” and say hello.
The book’ll still be waiting for you when you get home, and won’t mind a bit that you skipped ahead a couple of chapters while you were waiting for the plane.
Just my take on it, but I have to admit that when it hit me like that I pretty much got over all my hurdles, too.
Wiid = Wood. I SO totally need to get to bed.
When I write marginalia, it is usually because of editing mistakes, and it is the editor I am arguing with, not the author. The editor usually has the last say about content. One book was so bad that I made editorial corrections in it throughout (it’s the only reason I finished the book), and then sent it back to the publisher with a note that said the editor of this book should be fired. I truly wasn’t being mean. It was that bad.
And I would agree with Cameron, except for the fact that in the scenario he describes I would be buying (paying for) the same book twice. I guess you pay for convenience.
Oh I love the irony – too delicious! But then, it IS possible, isn’t it, to write notes on ereaders? Or did I dream that up? I would certainly quibble with the word ‘heckle’. When someone says something sassy that you don’t appreciate, it’s heckling, but that same comment seen from the outside could be read as stringent criticism!
Hope you are having a good time visiting your parents, Stefanie! I love this post… too funny. I’ve always said that I want an ereader for the sake of traveling (not that I’m always jet-setting!) but I wonder if once I had it I’d use it a lot more than I’d expected. Hmm, I guess I need to get my husband to give me one for a present. You know, to test my theory
You have just designed the perfect E-reader! I have a Kindle which I bought because I just didn’t have room in my suitcase when I traveled internationally for all of my books. I much prefer my “real” books but when I travel the Kindle saves me!
I believe I’ll go kicking and screaming into the Brave New World of ebooks. Mind you, I’ve got the iPhone Kindle, and I do love going straight to the notes w/a tap, but I can only view a paragraph at a time. (I admit, slightly hyperbolic). I’ll have carpal tunnel in a week.
Heckling? That’s an obnoxious choice of words. Evidently the Author’s Voice is Omniscient and Must Not Be Challenged. Even by a scribble in the margin. Ridiculous.