This is my first time reading Bram Stoker’s Dracula. That I am no longer a Dracula virgin is oh so appropriate to a novel rife with sex and fear of “the other.” But I get ahead of myself.
The story of Dracula is one that has captured the cultural imagination and his story has been told in countless movies (none of which accurately recreate the novel). Dracula was not the first popular vampire story, however. Stoker was greatly influenced by Sheridan Le Fanu’s Carmilla, even going so far as to locate Dracula’s castle in Styria before moving it later in a rewrite to Transylvania which had more resonance and fear for Stoker’s time due to the issue of the “Eastern Question,” a racial fear that is an undercurrent throughout the novel.
Dracula was first published in 1897 and has never been out of print. So as to provide a little context, H.G. Wells’s The Island of Dr. Moreau was published the year before. 1897 also saw Queen Victoria’s Diamond Jubilee, Kipling’s poem “The Vampire,” H.G. Well’s The Invisible Man, and Freud coining the term “psychoanalysis.” A year later, in 1898, Marie Curie discovered radium. And in 1899, Dracula was finally published in America.
Whereas Wells’s Island of Dr. Moreau caused a big uproar and controversy, not a single reviewer at the time made a comment about the sexuality, race, or blood contamination in Dracula somehow managing to not even make any connections with the syphilis epidemic that was raging in London at the time (Stoker died of syphilis in 1912).
Instead, reviews stuck to the safety of Dracula being a tale of fantastic horror. A Daily Mail review in 1897 suggests
Persons of small courage and weak nerves should confine their reading of these gruesome pages strictly to the hours between dawn and sunset.
A review in the Bookman focuses on the good v. evil aspect of the book, the triumph of “human skill and courage pitted against inhuman wrong and superhuman strength.” It’s curious that they didn’t at least remark about the sexual nature of the book. But then perhaps that is wrapped up in the good v. evil point of view, sex is evil and chastity is good or something like that.
For me the horror of the book was the sexuality and how so very misogynistic it all is. On a gender side note, I found it interesting how often the men in the book broke down and cried and how frequently they told each other what manly men they were while the women hardly cried at all, remaining steady pillars of emotional strength for the most part.
I want to talk about the way Lucy and Mina are portrayed and their relationship with Dracula and the men but that is too long for one post and I will save it for tomorrow.
Sounds like you’re reading the Norton Critical Edition. That’s the version I’ll be reading once October rolls around.
Here’s some food for thought: Count Dracula = Oscar Wilde. Stoker started working on “Dracula” around the time Wilde was on trial for basically being gay. Some critics think the Count is a stand-in for Wilde, because Wilde was considered a monster during his trial. Supposedly, Stoker’s descriptions of the Count also fit Wilde while Wilde was in prison.
I loved this book and haven’t read it in awhile. I generally do not like books in letter format, but I did enjoy it in this. Interesting how nobody talked about the obvious themes… but maybe people just wanted to have a good scare? On a side note: have you seen Nosferatu? VERY scary silent vampire movie, one of my favorites. Similar treatment of “the other,”sex, and so on.
Although, I have to say I really loved the Gary Oldman version from the 90s.
I don’t think “sex is evil” is fair here. Sex is only evil, in Dracula, outside of a polyamorous marriage.
This is one I have had on my shelf for years and have yet to read. Your comments on the book make me want to read it.
How interesting! I have never read Dracula, nor Frankenstein, not Jekyll and Hyde. What have i been doing with myself? Looking forward to hearing more about this tomorrow (and intrigued by the idea of Dracula as Oscar Wilde – amazing, he seems more like Winnie the Pooh when you see him portrayed in films!).
Brandon, yes, I read the Norton Critical. I skimmed the article equating Dracula with Wilde. It’s an interesting idea since it seems there is some question about Stoker and Irving’s relationship, but I don’t think there is a direct Dracula/Wilde correlation especially since Dracula seems to only feed on women. That doesn’t mean that Wilde isn’t part of the fear of the Other that Dracula represents though, only that he isn’t the only.
Daphne, I think I have seen clips from Nosferatu but I have never seen the whole thing. Maybe I’ll see if Netflix has it and arrange for a little Halloween treat.
Amateur Reader, true, but sex is evil outside of marriage only if you happen to be female. The men are not portrayed badly for feeling desire and lust for vampire Lucy or Dracula’s three vampire women and they are heroic for all the metaphorical sex they have which I’ll talk about more Monday night.
Kathleen, it is certainly interesting and not exactly what I expected.
Litlove, oh you are missing out on some great psyhoanalytical potential! I think you would love all three of those books just for that alone.
I’ve never read Dracula. Of all the monsters of my childhood (and let’s face it, even when we grow up are they ever far behind?), I found Dracula the absolutely most terrifying. I doubt I could get through it. The movie with Bella Lugosi frightened me so much, I still cringe at the recollection. But I’m looking forward to reading your next post.
I’m looking forward to your take on Lucy and Mina. As for Dracula? I am so dead set against vampires right now, I can’t even coherently comment.
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Very enlightening review.
I bought this book for a friend of mine, as a birthday present, knowing that he would like it [previously expressed opinion] but never thinking that I myself would read it.
Now I am not so sure. You make it sound very worthwhile.
I really despised this book. I think it fascinating that none of the contemporary reviewers commented on the sexuality of it all. I completely agree with you about that being a major theme of the book.
Grad, Dracula was one monster that never scared me all that much, maybe because there were ways to protect yourself, though not foolproof, they were something to cling to.
Carrie, dead-set against vampires, heh, pun not intended?
Cipriano, it was never high on my list of books to read but my husband keeps buying various editions and telling me I had to read it so I thought it was time.
Rebecca, the book was hard to like in some places but looknig at it from a cultural aspect on how vampire lore seeped into generally mythology, it is pretty interesting.
I swear every time I think of Island of Dr. Moreau it just creeps me out! That was such a fantastic read.
Anyway, one of these days I will read Dracula! I just will and then see how Hollywood has gotten it all wrong. ha. And, I love Carrie’s comment… Yea, I think I’m fast approaching vampire-overload.
I loved reading Dracula when I read it maybe two or three years ago. What a freaky book! I guess reviewers at the time were still too skittish about sex to write about it openly, even though the book demands it.
Iliana, I know, that was a really good book that has stuck with me too. Vampires have been a bit overexposed, haven’t they? So it is always good to go bad to the early days when they were evil instead of romantic.
Dorothy, I remember when you read Dracula, it is a freaky book. And yeah, maybe that’s it, maybe those reviewers noticed the sex, how could they not, but it was so horrifying they couldn’t actually write about it.
This makes me want to read Dracula all over again. I think I read superficially so I look forward to hearing all about the subtexts. I had no idea The Island of Dr Moreau was written about the same time–why does it seem so much more modern? And I had no idea the real castle was in Styria, which is in Austria–I could have visited when I lived there had I known!