I’ve been delaying writing about Kafka’s The Trial in hopes that I would be able to sort it all together and come up with something brilliant to say about it. Alas, brilliance never arrived and I’m at the point where if I don’t say something about it now, I won’t remember enough of the details to write anything coherent about it.
In case you don’t know the story, Josef K. wakes up one morning and is arrested for he knows not what. The police who arrest him don’t know what the charges are either. They question him for awhile and then he is allowed to go to work. However, he is supposed to appear in court, not for a trial, but for a hearing. Basically, K. throughout the whole book is left “free” to go about his regular life and business. But it turns out members of the court are everywhere, not the public court mind you where they try common criminals, but a court that exists in attics and apartment rooms, and to whom almost everyone K. meets is affiliated in one way or other. So one gets this sense that K. is always being watched, his simplest actions and words continually evaluated, and added to the court record for the case against him. We never find out what crime he committed. K. never finds out what crime he committed either but insists he is not guilty of whatever it might be.
K. appears at his hearing and makes a big speech. In it he declares that the court’s
purpose is to arrest innocent people and wage pointless prosecutions against them which, as in my case, lead to no result. How are we to avoid those in office becoming deeply corrupt when everything is devoid of meaning? That is impossible, not even the highest judge would be able to achieve that for himself.
The phrase, “when everything is devoid of meaning” seems to sum up the book. K.’s battle against the court is a battle against meaninglessness. At first he stands tall and vows to fight it. He is full of energy and is driven by his anger at being accused and all the attendant frustrations and confusions the sometime-in-the-future trial invokes. But as time goes by K. begins to get worn down. His Uncle drags him to a friend who is also a lawyer who is engaged to work on his case. But to K. it seems that the lawyer does nothing and he eventually fires him and tries to handle his case himself. However, he has to file papers with the court but since he doesn’t know what the charges are against him he doesn’t know what he should say in the papers. He paralyzed and unable to write as he tries
to remember every tiny action and event from the whole of his life, looking at them from all sides and checking and reconsidering them.
Finally, from a painter to the court, he learns that there is no way he will ever be free of the court. A complete acquittal is impossible and K. can look forward to spending the rest of his life dealing with the court in one way or another until they finally decide to deliver a verdict.
K. begins to come unraveled. He used to be a rising star at the bank where he works, in line to be assistant director, but now because he has become preoccupied with his trial his work is suffering and his job is in danger. He is given a warning by a friendly priest that things are not going well for him in the court. The priest tells K. a parable about a man who sits waiting outside a door his entire life for the chance to access the law. K. fails to find the meaning in it and argues the logic of it with the priest who tells him,
“you don’t need to accept everything as true, you only have to accept it as necessary.” “Depressing view,” said K. “The lie made into the rule of the world.”
Eventually a verdict is handed down and K., exhausted, accepts his fate and goes willingly to receive it. It had echoes for me of Orwell’s 1984 (or maybe it is more correct to say Orwell has echoes of Kafka) and how, in the end, Winston loves Big Brother. It gave me chills and left me with a sinking feeling in the pit of my stomach.
The Trial is an unfinished novel. Chapter eight was not completed before Kafka died and the manuscript was among the many papers Kafka’s friend Max Brod was supposed to destroy at Kafka’s request but didn’t. I don’t know why Kafka wanted his papers destroyed but I am glad Brod didn’t comply with his wishes. There is now a dispute winding its way through various courts over the papers of both Kafka and Brod and who owns them, Israel or the Hoffe sisters, heirs to Brod’s estate. The irony of the trial over Kafka’s papers has not been lost on the news agencies. No matter how you look at it, Kafka and Brod scholars and readers are in for a long wait before the contents of the papers are accessible.
I have to say that, while it’s not my favorite Kafka, I love The Trial partially because of the Orwell connections you mentioned, but also because it echoes another Kafka story, “In the Penal Colony” (which you MUST MUST MUST read if you haven’t already, there are about a million free copies circulating online) and the themes of justice, governmental power, and the willingness of people to submit to authority without really knowing why. Plus, I think Kafka kind of goes underrated as a writer of truly horrifying fiction that’s scary in the way that 1984 and Brave New World – terrifying because it’s not that far from a possible reality. Thanks for the great review!
I haven’t read any Kafka in ages, Stefanie, but your post makes me look forward to giving him another whirl before the end of the year (hopefully). Did you read one of those snazzy new Penguin editions of his? They’re sort of calling my name!
I love Kafka. I wish I could see him in my study support hours and give him good advice (I think he could have done with it at times!). I found that once I’d started reading him I wanted to get to know more about him as a man, and it was one of those instances when I couldn’t separate out the biographical from the artistic. I would recommend Letter to my Father (Brief an den Vater) by him – I remember liking that one the best and being quite hypnotised by it.
Chelsea, is “In the Penal Colony” the one in which the guilty person is tattooed? If so, I have read it and it took my breath away. Must read it again as it is such an amazing story. I agree that Kafka’s is underrated as a writer of horrifying fiction. I didn’t expect The Trial to end the way it did. It left me stunned for a bit.
Richard, yay for Kafka! This is the first novel I’ve read of his and I definitely want to read more. I read a publilc domain edition of the story on my Kindle, not one of the snazzy new Penguins. I also have Amerika and The Castle. I think I have The Metamorphosis in print if that helps redeem my digital doings
Litlove, I feel on the verge of a love affair myself. His vision is so dark and disturbing it would definitely be nice to know more about him. I believe he was vegetarian which makes me like him even more
Thanks for the recommendation! My library has it and I have added it to my list.
This was the first Kafka I ever read- way back in highschool. I’m glad Max didn’t destroy it, too!
I think I need to read more Kafka. I believe i have only ever read one thing, maybe it was The Metamorphosis? It’s been a long time, since I can’t even remember which it was!
I went through a Kafka phase waaayy back in high school. This is the one work that really stuck with me though. It felt like the literary equivalent of looking at an Escher, poor K always back where he started.
All Anthony’s recent posts on Kafka over at Time’s Flow Stemmed rekindled my interest in him, and now this post of yours has fanned the flames! I read an article a while ago (and I apologize for not remembering anything about its location for linking purposes) that talked about Kafka’s religiosity and how these portraits of bureaucratic nightmares he painted actually embodied some concept of god or the divine for him. At first this seemed totally ludicrous to me, but the passages you pull actually make me think twice. Having the minutiae of one’s life on perpetual trial against which there is no possible defense and after which one dies, is I suppose a valid take on life as a human who believes in a god whose works and judgments “move in mysterious ways.” Eek!
Jeane, I don’t know how I made it through all of my schooling without reading Kafka but I am glad I finally did. It must have been an interesting experience reading him in high school.
Daphne, I think your enjoyment of the creepy makes you and Kafka a nice fit.
Isabella, the literary equivalent of looking at an Escher, I like that analogy!
Emily, what an interesting proposition of Kakfa’s bureaucratic nightmares somehow representing his idea of the divine. It makes me a big concerned about Kafka’s sanity! If you ever remember the title of the article, let me know, I’d be curious to read it.
I’ve read very little of Kafka’s work–maybe only a short story or two, but I find the man himself fascinating and have read some diaries and biographies of the women he had relationships with. Talk about approaching a subject from the back end! I should give this a try–only a pity that it was never finished. You are zipping through the classics these days!
Kafka is so fascinating. I read The Trial in college and that was great, and then The Metamorphosis last summer, and it was awesome. I don’t know what to make of him, but I think most people feel that way …
This sounds simply fascinating. Although Kafka (At least, the Metamorphosis which I read) was not a favorite of mine, it had enough mystery about it that I really do want to read more. I could get through THE PLAGUE, though.
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